Brazos River Canyonlands
Seymour, Texas. 1901. Painting by L. O. Griffith.
It is absurd how much I love this country
Georgia O'Keeffe

Artistic affection for the highly hued beauty of this wild landscape of canyons and big skies began with the Comanches and their haunting rock art, followed by Anglo artists, including Georgia O'Keeffe, Frank Reaugh, L. O. Griffith, and Josephine Oliver, who came early into this Texas frontier territory.

Reaugh followed the cowboys and their Longhorns up the Brazos, first in 1883 and again with Griffith in 1901. O'Keeffe came to the Palo Duro canyon area at the Red River headwaters first in 1913 as a young teacher in Amarillo, beginning her long, prolific artistic romance with the American Southwest

Focusing on shapes, textures, colors and light, O'Keeffe painted the Texas plains and canyons of Palo Duro and wrote about these Texas Canyonlands: “It is absurd how much I love this country.”

GEORGIA O'KEEFFE
O'Keeffe paintings can be found in major museums throughout the country, with the largest collection in the Georgia O'Keeffe Museum in Santa Fe, New Mexico. Click on to the following link to its Permanent Collection, to view two works by O'Keeffe, Evening Star No. VI and Series I—From the Plains, which O'Keeffe painted while in Texas:
NEXT PAGE
PREVIOUS PAGE
Escarpments in Impossible Canyon
Canyon walls slope down into the eastern floor of Longhorn Valley
ForewordAcknowledgmentsLegal noticesDownloadsSite map
Site creditsSite bibliographySite referencesContact us
Deep ravine in Impossible Canyon
Typical canyonlands landscape form abraded by wind and water erosion in Impossible Canyon
Rugged topography in Impossible Canyon evoke images of a rough and rutted badland